Press photos

Press quotes: 

"Best indie band of 2025" -Detroit Bands That Suck 

"AI could never." -The Yellow Button 

"an album that feels urgent, immediate, and unpretentious" -Under The Radar

“[letting] the good and the bad swirl together.” -Midcult 

Short bio: 

Nashville-by-way-of-Chicago songwriter Ovven (pronounced oven) is the indie rock/alt-country project of Owen Burton. Defined by wry lyrics, restless guitars, and a refusal to smooth over life’s contradictions, their highly anticipated debut LP Gnawing at the Cord was produced by Alex Farrar (MJ Lenderman, Wednesday, Indigo De Souza). 

Long bio: 

When Owen Burton first reached out to producer Alex Farrar (MJ Lenderman, Wednesday, Indigo De Souza), he only had two songs written. He didn’t mention that in his email—he just sent the demos and asked if Farrar had time. To his surprise, Farrar agreed, slotting in a session just two months away. Instead of panic, Owen found excitement in the deadline. The tight turnaround left no room for second-guessing. It was a chance to work instinctively, to follow where the songs wanted to go without overthinking.

That urgency is at the heart of Ovven (pronounced oven). One of the most anticipated debuts of 2026, their LP Gnawing At The Cord thrives on forward motion. It’s a style Midcult describes as “[letting] the good and the bad swirl together.” The music embraces contradiction—lyrics that blur the line between silly and devastating, guitars that can’t decide if they belong to an indie band or a country record. That tension is the point. It mirrors the contradictions of the world itself: often mundane but sometimes surprising, sad but strangely funny. Many of the songs were born in the solitude of Owen’s garage studio on Thanksgiving Day. Drafted off the cuff and minimally revised, he captured in them a raw immediacy that lingers in the final recordings.

Now based in Nashville, Owen grew up in Chicago, steeped in the aftershocks of the Midwest alt-country boom that gave rise to the likes of Wilco and Son Volt. Those influences echo in his wry, plainspoken lyrics and occasional crooning delivery. He continues that built-for-a-dive-bar sound with layman lyrics the townies can latch onto set against guitars loud enough to cut through the drunk chatter, but with low tunings, slippery country licks, and unconventional arrangements, it veers toward something more modern and restless.

Ovven is more about presence than perfection—catching a song in the moment before it gets polished away. It’s a reminder that sometimes the most resonant music doesn’t come from meticulous planning, but from moving fast enough to surprise yourself.